11:49 P.M.

JACK

I GET TO THE GARAGE as fast as I can, which isn’t very fast. The house feels more like a ship, rocking to and fro in the waves, making it challenging to stand. I stop in the doorway, feel for the light switch, and stumble over to the workbench.

I’m looking for the gun Phin said he dropped.

The light is just a single bare bulb, maybe a sixty-watt, and my loopy vision is further impeded by a black eye that’s puffed halfway closed. There are boxes strewn about the garage floor. Some Christmas decorations. A few books. I don’t want to let go of the bench because I’m afraid I’ll fall over, but I don’t see the gun from where I am. I’ll have to go searching.

I take two steps toward the mess, moving a box aside, peering beneath it. Nothing. The floor is cold, causing me to shiver. From inside the house, more gunshots.

Sniper fire.

I wondered if it was Phin who saved my life, grabbing one of the sniper’s rifles when he ran outside. It might have been Alex, who didn’t want anyone else to kill me because she was saving that particular pleasure for herself. Either way, I caught a break. Now I needed to capitalize upon it.

I kick away a piece of cardboard, almost lose my balance. No revolver underneath. A faint breeze tousles my hair, and I follow it and see the broken window, hidden behind the stacks of unopened boxes. If Phin dropped the gun in that maze I’ll never find it.

More gunfire. But this is from inside the house. It’s loud, even louder than firecrackers.

The Desert Eagle.

I don’t want to think about what that implies, but I do anyway. Even if the refrigerator door is thick enough to block the bullets, at close range the shooter can aim around it.

My last image of Harry McGlade – of, God help me, my brother – was of him charging the Ravenswood sniper, trying to save me.

I hope Harry’s okay.